Note-based sound source separation of polyphonic recordings
Kristóf Aczél, István Vajk
Decomposing a polyphonic musical piece to separate instrument tracks has always been a challenge. Isolating the tracks is out of reach of today’s technology. This article proposes a novel method for the separation of monophonic musical recordings. The architecture of the proposed separation system is given. It uses samples of real instruments for regaining the missing data, thereby allowing for the separation and correction of recordings that cannot be retaken.